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Margaretta D'Arcy is a well known Irish playwright, one of the few women ever to receive the Cnuas, a lifetime Arts Council income grant. She talks about her plays and about the award (and the politics of the award) in this book, but it is much more devoted to the theatre of activism in which she has long engaged. Causes to which she has lent this talent include, among others: labour rights, Irish nationalism, peace, ending the US Cruise Missile presence on Greenham Common in England, the Measuring and Counting of Women's Unwaged Work, international community radio, Wages for Housework, and the annual Women's Strike.
Having known and admired Margaretta for quite a few years, I was very interested in Part One of the book, which tells about her peculiar upbringing. She had an Irish Catholic former freedom-fighter for a father and a Russian Jewish doctor for a mother. As she was born in 1934, the social milieu of the time made emphasizing the Catholic angle less conspicuous, and she and her sisters were sent to Catholic boarding school. There, she discovered the impressive power of the church's theatricality, which created in her a fervent if temporary religiosity.
As a young woman, Margaretta became an actress and began to hang with theatrical types.
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One of the largest sections of this book covers Margaretta's years of involvement with the Greenham Common Women's Peace Camps.
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Margaretta D'Arcy has written other books, including Tell Them Everything, Awkward Corners (with John Arden), and Galway's Pirate Women: a global trawl. You can find D'Arcy's books and videos as well as streaming audio from her station, Radio Pirate Woman, on her website http://www.margarettadarcy.com/.
-- Frieda Werden
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